Bess At Night (Canvas or Aluminum)
Waiting for "blue hour" (the hour after sunset, but before total night) can yield incredible results on high speed tungsten-balanced 35mm film, just take this example of Saskatoon's iconic Bessborough and the stunning colours presented here as proof.
Version A (the brighter image) was shot on a Soviet Ukrainian Helios 44-2 58mm lens, while Version B (the darker, more purple-cast image) was shot on a Canon nifty-fifty. Both were shot on Kodak Vision 3 500T with the remjet layer removed; shot one stop over at 800 ISO.
Available here as either a boxed canvas [C] or an Aluminum panel [A]
Waiting for "blue hour" (the hour after sunset, but before total night) can yield incredible results on high speed tungsten-balanced 35mm film, just take this example of Saskatoon's iconic Bessborough and the stunning colours presented here as proof.
Version A (the brighter image) was shot on a Soviet Ukrainian Helios 44-2 58mm lens, while Version B (the darker, more purple-cast image) was shot on a Canon nifty-fifty. Both were shot on Kodak Vision 3 500T with the remjet layer removed; shot one stop over at 800 ISO.
Available here as either a boxed canvas [C] or an Aluminum panel [A]
Waiting for "blue hour" (the hour after sunset, but before total night) can yield incredible results on high speed tungsten-balanced 35mm film, just take this example of Saskatoon's iconic Bessborough and the stunning colours presented here as proof.
Version A (the brighter image) was shot on a Soviet Ukrainian Helios 44-2 58mm lens, while Version B (the darker, more purple-cast image) was shot on a Canon nifty-fifty. Both were shot on Kodak Vision 3 500T with the remjet layer removed; shot one stop over at 800 ISO.
Available here as either a boxed canvas [C] or an Aluminum panel [A]